tag:blogger.com,1999:blog-75232339642830727632024-03-12T17:17:54.715-07:00GUITARSApriliohttp://www.blogger.com/profile/12046764217386489499noreply@blogger.comBlogger12125tag:blogger.com,1999:blog-7523233964283072763.post-27487287670060314052015-01-28T10:05:00.001-08:002015-01-28T10:05:42.174-08:00Sasando, Unique Musical Instrument<div class="separator" style="clear: both; text-align: center;">
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<img alt="https://ttangkoma.files.wordpress.com/2013/10/d8db2-sasando2bntt.jpg?w=730" class="shrinkToFit decoded" height="456" src="https://ttangkoma.files.wordpress.com/2013/10/d8db2-sasando2bntt.jpg?w=730" width="316" /><br /><br />One of the most unique traditional musical instruments of the East Nusatenggara Islands is the “Sasando”. However, with modernization its popularity has waned, but now new efforts are made to revive this ancient instrument and to have it blend in with modern musical instruments.<br /><br />Originally played by the people of Rote island, located south of the island of Timor , Sasando is a stringed instrument that is plucked not unlike a harp. It is, however shell shaped and has a tube in its centre around which are placed the various strings. The shell, therefore, functions as a resonant box.<br /><br />The Sasando shell is made of lontar or palmyra leaves, that has a tubular center made of bamboo on which are placed at various distances small wooden wedges over which the strings are stretched, providing the different notes when plucked by the musician. As with a guitar, screws are attached to the wood to allow fine tuning.<br /><br />The Sasando itself, with its lontar or palmyra concave shell, is around 40 cm high, which the musician holds on his or her lap when it is played. The simple sasando has 28 strings, whereas the most difficult one to play has 56 strings. There is also a 32 string instrument.<br /><br />The name “sasando” itself is derived from the Rote word “sasandu”, meaning vibrating or sounding. The Rote people believe that the instrument was already in use since the 7th, century. <br /><br />According to Rote legend, there was once a boy named Sangguana who fell asleep under a palmyra tree. In his dream he heard beautiful music played by a unique instrument. The music was so captivating that when he awakened, he was determined to recreate the same instrument and the same music he heard in his dream. <br /><br />Although playing this instrument could sound pretty simple, but those who know say that the Sasando is more difficult to play than a guitar.<br /><br />A maestro of the Sasando and ardent music teacher is Djony Teedens who has his studio at Jalan Nanga Jamal, in the subdistrict of Naikoten 1 in the town of Kupang, capital city of East Nusatenggara.<br /><br />Here Djony not only gives private lessons but also makes sasando instruments himself. He is adamant to continue the tradition of his ancestors and to revive the Sasando to become again a musical instrument popular with the people.<br /><br />In his studio, students who are able to play the guitar must still be further trained to play the Sasando for another 4 months, while students who have never touched a guitar the course takes 6 months. He normally has 5 to 7 students at home, a number of whom are foreigners. “I have had German, Dutch and Japanese students in my studio” said Djoni Teedens.<br /><br />Besides opening Sasando courses, Djoni also sells Sasando instruments. A 28 strings Sasando may cost around Rp 1 million, while the 32 strings costs Rp. 1.5 million. The instruments are gaining in popularity, and are bought by his fellow countrymen as well as by foreign visitors. <br /><br />Nonetheles, the most encouraging for Djony Teedens, is the fact that the Sasando, the ancient instrument played by his forefathers, is again recognized as a worthy instrument to play in line with other traditional Indonesian musical instruments as well as with the more modern instruments in this global world. </div>
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Apriliohttp://www.blogger.com/profile/12046764217386489499noreply@blogger.com1tag:blogger.com,1999:blog-7523233964283072763.post-51783883626859814992015-01-22T15:23:00.001-08:002015-01-22T15:23:09.860-08:00Yamaha Silent Guitar<div style="text-align: justify;">
<img alt="SLG" height="172" src="http://data.yamaha.jp/sdb/series/image/others/s/slg_17368/07B121C55E6A4D23BFC5643C5AE8F040_12086.jpg" width="640" /><br /><br /><i>Keunikan Yamaha Silent Guitar adalah memadukan pengaruh tradisonal dan ultra-modern sehingga menciptakan instrumen untuk berlatih sekaligus untuk performance - suatu kombinasi yang jarang terjadi tapi bisa terwujud.</i><br /><br /><b><u>Excellent sound and controls</u></b><br />The Silent Guitar utilizes a B-Band? pickup system fitted beneath the instrument's bridge.This high performance system delivers rich,full-bodied classical guitar tone and excellent response.Bass and treble tone controls mounted on the body for easy access give you total control over the guitar's tone.Also,being a solid body instrument that uses no microphone, the Silent Guitar eliminates the worry of feedback when performing live with a sound system.<br /><br /><u><b>Silent design makes it perfect for home use or practice</b></u><br /><br />Compared to a normal classical guitar the Silent Guitar "acoustically" produces only 1/100th the amount of sound energy and 1/10th the amount of sound volume(tested in-house).Such excellent silent characteristics make it great for playing anytime or anywhere.<br /><br /><b><u>Built-in DSP effect adds the richness of reverb</u></b><br /><br />The Silent Guitar is equipped with a built-in DSP effects processor that's designed by Yamaha. This circuit offers two types of reverb that ,when activated, envelopes the warm tone of the Silent Guitar with rich reverb that will give you and your listeners the realistic impression that you are performing on the stage of a concert hall. You'll be amazed at the emotion and inspiration that this feature brings to your playing.<br /><br /><u><b>AUX IN lets you play along with your favorite recordings</b></u><br /><br />Connect a CD or cassette player, etc. to the AUX IN jack and play along with your favorite recordings. This feature is a great way to improve your playing quickly. An AUX volume control offers greater control over sound balance.<br /><br /><b><u>Detachable frame offers comfort and easy transport</u></b><br /><br />The Silent Guitar's unique design offers excellent comfort and support even when played while seated. A cutaway design provides full access to the upper frets.The upper frame detaches from the main body and fits, along with the rest of the guitar, neatly into a compact case that makes carrying easy.</div>
Apriliohttp://www.blogger.com/profile/12046764217386489499noreply@blogger.com0tag:blogger.com,1999:blog-7523233964283072763.post-64739735479480892532009-06-20T00:50:00.001-07:002009-06-20T00:50:55.759-07:00Peter Frampton Les Paul Custom<span id="ArticleViewer"><p>When players pick up this baby, it really comes alive. The <a target="_blank" href="http://www.youtube.com/watch?v=g9D-kUEp03c"></a>Frampton Paul has three humbuckers and a chambered, lightweight body. And it’s unusually wired to get that distinctive out-of-phase style Frampton sound. The middle pickup is always on, but has a dedicated master volume knob so it can be dialed in or out. That tone should theoretically appeal more to players influenced by classic rock, but the variety of tones this black beauty produces captures the ears of just about anybody who hears or plays it.</p> <p><img alt="" src="http://www.gibson.com/Files/aaFeaturesImages2009/framptlp33.jpg" width="660" height="222" /></p></span>Apriliohttp://www.blogger.com/profile/12046764217386489499noreply@blogger.com0tag:blogger.com,1999:blog-7523233964283072763.post-28672329894286700552009-06-20T00:49:00.000-07:002009-06-20T00:50:03.566-07:00Slash Les Paul<span id="ArticleViewer"><p>Although there are several Slash Les Paul models available, the granddaddy — and big draw in the Custom Shop’s traveling display — is the dark tobacco burst model introduced in 2004. Slash, of course, was almost single-handedly responsible for the skyrocketing popularity of Les Pauls in the ’80s. But this is a distinctive beast, with a pair of Seymour Duncan Alnico II Pro pickups and a Fishman Power Bridge to provide an optional acoustic guitar sound. A mini three-way switch between the rear two pots — one a third volume control, for the level of the acoustic setting — allows toggling between acoustic and electric settings. But most players who pick up the <span style="text-decoration: underline;">Slash</span> model wanna blast — and often the classic intro to “Sweet Child o’ Mine.”</p> <p><a target="_blank" href="http://www2.gibson.com/Products/Electric-Guitars/Les-Paul/Gibson-Custom/Slash-Les-Paul.aspx"><br /></a></p> <p> <img alt="" src="http://www.gibson.com/Files/aaFeaturesImages2009/slashlp66.jpg" width="660" height="267" /></p></span>Apriliohttp://www.blogger.com/profile/12046764217386489499noreply@blogger.com1tag:blogger.com,1999:blog-7523233964283072763.post-1333295894311665212009-06-20T00:48:00.000-07:002009-06-20T00:49:15.972-07:00Johnny A. with Bigsby<p>This guitar is a real attention getter on its own terms and offers some fairly unique characteristics. The fully hollow body is one-piece mahogany and the inside is flat in the back to increase natural projection. The Bigsy vibrato tailpiece that. a uses is optional, but not so the guitar’s distinctive 25-inches long scale neck abetted by double cutaway horns. And the neck’s profile, at A.’s insistence, is slightly flatted in the back for easy playability. When the guitar’s on display jazz, blues and rock players all relate to its blend of tone, feel, and light weight. And this six-string, birthed in 2003, is often described as “art deco” for the modern-yet-classic look of its crown shaped inlays, angular pick guard and singularly shaped f-holes. </p> <p><a href="http://www.gibson.com/en-us/Lifestyle/Features/gibsons-5-sexiest-custom-608/"><br /></a></p> <p> <img alt="" src="http://www.gibson.com/Files/aaFeaturesImages2009/johnnyahero.jpg" width="660" height="267" /></p> <p><strong><br /></strong></p>Apriliohttp://www.blogger.com/profile/12046764217386489499noreply@blogger.com0tag:blogger.com,1999:blog-7523233964283072763.post-41127207588712733912009-06-20T00:42:00.000-07:002009-06-20T00:47:00.198-07:00Zakk Wylde Les Paul Bullseye<span id="ArticleViewer"><p>This Bullseye beauty is a hard-core rock guitar with active pickups, an EMG-81 and an EMG-85, and an unfinished maple neck — Wylde’s variation on the Les Paul Custom. Since it was first issued in 1999 the guitar’s been a magnet for <a target="_blank" href="http://www.youtube.com/watch?v=rYMupc564zE">Ozzy and Zakk</a> influenced shredders.</p> <p><a target="_blank" href="http://www2.gibson.com/Products/Electric-Guitars/Les-Paul/Gibson-Custom/Zakk-Wylde-Les-Paul-Bullseye.aspx"><br /></a> </p> <p> <img alt="" src="http://www.gibson.com/Files/aaFeaturesImages2009/bullseye.jpg" width="660" height="267" /></p></span>Apriliohttp://www.blogger.com/profile/12046764217386489499noreply@blogger.com0tag:blogger.com,1999:blog-7523233964283072763.post-24764964658372248332009-06-18T00:55:00.001-07:002009-06-20T01:04:59.509-07:00Mick Jones Les Paul Custom<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXePDPHdkk1CyyGU0ph6QTdxUAMtW5CPdfpJWbWKqjuJpJaZHFmhvk8SbFaP51pZiCXlDfoV-WbzEQpawjpvgUe7_p-XxHgL-szK0sx0QnGpIBTNf5hfbcAfR9y-9pZKN4W7VpzJ1B7nU/s1600-h/custom-shop-005.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 400px; height: 162px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXePDPHdkk1CyyGU0ph6QTdxUAMtW5CPdfpJWbWKqjuJpJaZHFmhvk8SbFaP51pZiCXlDfoV-WbzEQpawjpvgUe7_p-XxHgL-szK0sx0QnGpIBTNf5hfbcAfR9y-9pZKN4W7VpzJ1B7nU/s400/custom-shop-005.jpg" alt="" id="BLOGGER_PHOTO_ID_5348573225431296946" border="0" /></a><br /><span id="ArticleViewer"><br /><br /><br /><br /><br /><br /><br /><br /><br />“Feels like the First Time” takes on a whole new meaning when this smooth-necked wonder comes into play. It’s the ultimate working player’s Les Paul, inspired by Jones’ signature guitar — which he used as a session musician on recordings by George Harrison, Peter Frampton, Spooky Tooth and Leslie West before taking the helm of Foreigner.<br /><br />Although Jones’ own Custom got retrofitted with DiMarzio pickups, the Custom Shop reissue sports a pair of Gibson’s biting ’57 Classic humbuckers with exposed coils. The solid mahogany body has an aged ebony finish and gold hardware, as well as a black jackplate and black Schaller strap locks.</span>Apriliohttp://www.blogger.com/profile/12046764217386489499noreply@blogger.com0tag:blogger.com,1999:blog-7523233964283072763.post-55663992897336087982009-06-18T00:53:00.000-07:002009-06-20T01:05:50.432-07:00SG Standard Reissue VOS<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8jX2liTeWYOW7cEygcyBOEu8X9nwzBgg0beJjQQVa-rCZG9Yi69aArTXB37RkrecAUwumRd_OldAuR1dDw2TP06ixm4XK9aWE_odntPok_j_d8spp4w_dkS7id8bdyJtL_p1WNRNr8pM/s1600-h/custom-shop-004.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 400px; height: 162px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8jX2liTeWYOW7cEygcyBOEu8X9nwzBgg0beJjQQVa-rCZG9Yi69aArTXB37RkrecAUwumRd_OldAuR1dDw2TP06ixm4XK9aWE_odntPok_j_d8spp4w_dkS7id8bdyJtL_p1WNRNr8pM/s400/custom-shop-004.jpg" alt="" id="BLOGGER_PHOTO_ID_5348572990555689490" border="0" /></a><br /><span id="ArticleViewer"><br /><br /><br /><br /><br /><br /><br /><br /><br />The SG is Gibson’s most popular model, and this version — based on the landmark 1963 edition, a guitar that hit the model’s characteristics out of the ballpark — provides the same look and feel as instruments played by Duane Allman, Dickey Betts, Quicksilver Messenger Service’s John Cipollina (plus some wild customizing), Eric Clapton, the Cars’ Elliot Easton, Tony Iommi, the Doors’ Robby Krieger, Carlos Santana, Pete Townshend, and, of course, Angus Young. When it comes to meat and potatoes rocking, the VOS SG is an undeniable force. The body is thin for easy wearing, but solid mahogany for ringing sustain. The one-piece neck with a rosewood fretboard has a speedy ’60s profile. And the VOS version with a Maestro tremolo has a gorgeous engraved tailpiece.</span>Apriliohttp://www.blogger.com/profile/12046764217386489499noreply@blogger.com0tag:blogger.com,1999:blog-7523233964283072763.post-8747964683842629142009-06-18T00:52:00.002-07:002009-06-20T01:06:16.695-07:00Johnny A. with Bigsby tremolo<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj54ZFSMgVX79YZs2NQKLoQQxxsetZSe7x-E5F1AS0c-2SXT97JeSVJ0XS887CZmt60uXnGBR5UtfP2T7vubdgx7K33H1XlYaL_Ne9tMvBS54TOxn3SnYHkS1qy64krmNPDYvGD0vLSREE/s1600-h/custom-shop-003.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 400px; height: 162px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj54ZFSMgVX79YZs2NQKLoQQxxsetZSe7x-E5F1AS0c-2SXT97JeSVJ0XS887CZmt60uXnGBR5UtfP2T7vubdgx7K33H1XlYaL_Ne9tMvBS54TOxn3SnYHkS1qy64krmNPDYvGD0vLSREE/s400/custom-shop-003.jpg" alt="" id="BLOGGER_PHOTO_ID_5348572647183291074" border="0" /></a><br /><span id="ArticleViewer"><br /><br /><br /><br /><br /><br /><br /><br /><br />This awesome contemporary guitar is proof that you don’t have to be a musical icon to be the namesake for an artist’s model — you just have to deserve that status. Boston-based Johnny A.’s résumé includes a host of pop bands and a stint supporting former J. Geils Band frontman Peter Wolf. But when A. stepped out with his 1999 instrumental debut, <em>Sometime Tuesday Morning</em>, he arrived at the pinnacle of six-string artistry. After A. became a regular visitor to the Custom Shop, this six-string beauty developed. This diehard Gibson player’s love for the company’s classic instruments is reflected in his design. The body ends with the rounded lines of a Les Paul, has an f-hole configuration similar to the ES-335, and sports the double-cutaway horns of an SG. The Johnny A. model has a fully hollow body for quick response, a flattened rear interior to increase natural projection, and an ebony-fretboard equipped neck that is small and quick despite its 25-inch scale length. Another tonal plus: the sides and back are a single carved piece of mahogany, topped by solid maple. The Bigsby adds to the guitar’s classic qualities. And appointments like gold hardware and multi-ply binding make this ’57 humbucker-equipped prize look as good as its sounds.</span>Apriliohttp://www.blogger.com/profile/12046764217386489499noreply@blogger.com0tag:blogger.com,1999:blog-7523233964283072763.post-10890696147265171322009-06-18T00:52:00.001-07:002009-06-20T01:06:41.681-07:001959 Les Paul Standard Vintage Original Spec<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2Z9UMu1gteIb4DSg55b3oiMB02eFrS2vag0EunpM325HkfLTJ0PDjlwtUxFj7_qdF_vtA3BDvXjnDsjRqFf3uK8m7xpSxgdIFlrUwQs9RofSsFxq4_RCeJzsMAVa4RdU8i0D_yS2kp1M/s1600-h/custom-shop-002.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 400px; height: 162px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2Z9UMu1gteIb4DSg55b3oiMB02eFrS2vag0EunpM325HkfLTJ0PDjlwtUxFj7_qdF_vtA3BDvXjnDsjRqFf3uK8m7xpSxgdIFlrUwQs9RofSsFxq4_RCeJzsMAVa4RdU8i0D_yS2kp1M/s400/custom-shop-002.jpg" alt="" id="BLOGGER_PHOTO_ID_5348572449899880962" border="0" /></a><br /><span id="ArticleViewer"><br /><br /><br /><br /><br /><br /><br /><br /><br />Duane Allman, Jethro Tull’s Martin Barre, Jeff Beck, Billy Gibbons, Peter Green, Michael Bloomfield, Ted Nugent, Keith Richards and Jimmy Page are among the classic rock guitarists who made the 1959 Les Paul Standard the epitome of the solid body guitar for fans and players alike. Perhaps Page most of all, who — with a ’59 slung nearly down to his knees — defined the rock-guitar-star look as he co-fronted Led Zeppelin in the late ’60s and ’70s. What makes the exacting Custom Shop ’59 VOS — and the original ’59s, now worth $250,000-plus at auction — so special is that year’s Les Paul Standard evolved to a model with wider, fatter jumbo frets, creating a smoother, faster neck. Add the iconic sound of the model’s pickups, reproduced by today’s Gibson BurstBuckers, and history was made. Today’s Les Paul Standard VOS also has a carved maple top with a non-weight relieved mahogany back and sides, for natural sustain, plus vintage style tulip tuners as well as a classic one-piece mahogany neck and a 22-fret rosewood fingerboard.</span>Apriliohttp://www.blogger.com/profile/12046764217386489499noreply@blogger.com0tag:blogger.com,1999:blog-7523233964283072763.post-52620627434237088962009-06-18T00:51:00.001-07:002009-06-20T01:07:11.404-07:00B.B. King Lucille<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOMd99JhIKEyIkEqjDk6Gff5Uby1m-nL8nCiLxY7CERRTLWD04gNzKlJOAFQLIIQ_DGQIrEZlq4RlbmCAFb_s3HJMebwYjQ669rHHDi8EJXaLRsnXrtUtN-SnB237zGm5GJ7HtBY_NJU4/s1600-h/custom-shop-001.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 400px; height: 162px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOMd99JhIKEyIkEqjDk6Gff5Uby1m-nL8nCiLxY7CERRTLWD04gNzKlJOAFQLIIQ_DGQIrEZlq4RlbmCAFb_s3HJMebwYjQ669rHHDi8EJXaLRsnXrtUtN-SnB237zGm5GJ7HtBY_NJU4/s400/custom-shop-001.jpg" alt="" id="BLOGGER_PHOTO_ID_5348572232800928994" border="0" /></a><br /><span id="ArticleViewer"><br /><br /><br /><br /><br /><br /><br /><br /><br />This guitar is named after B.B. King’s muse, which was originally a ’50s Gibson ES-335. Over the decades she’s come a long way, baby. Today’s Lucille model, introduced by Gibson in 1982, has no F-holes — to reduce feedback — at King’s direction and sports his name and a crown, evocative of the big man’s role as King of the Blues, on its attractive headstock in mother-of-pearl inlay. The guitar’s gold hardware adds beautiful contrast to its shiny ebony finish defined by white binding. A laminated maple block improves overall sustain, as does the solid maple center block. Her neck is laminated maple with an ebony fingerboard. Lucille has stereo and mono jacks, and a TP-6 tailpiece for precise tuning. And at age 83 King still wails on a Gibson Lucille as he continues to tour the world.</span>Apriliohttp://www.blogger.com/profile/12046764217386489499noreply@blogger.com0tag:blogger.com,1999:blog-7523233964283072763.post-69388637158795746102009-06-18T00:48:00.000-07:002009-06-18T01:03:49.656-07:00Guitars The Gibson Custom Shop<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzk8x8krAy1ygQKzDmSo9bEr_YEAqV4DHKqdBks5OgsteBmj9eP4q98xg1npZxHKYKZbIom_gGDUQ_XjqseHpjj8b8ESXw725sL814CVjsLIdYcS16zPFy6h6V_l1clDWzBM9Y5CV2mYw/s1600-h/guitar.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 400px; height: 273px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzk8x8krAy1ygQKzDmSo9bEr_YEAqV4DHKqdBks5OgsteBmj9eP4q98xg1npZxHKYKZbIom_gGDUQ_XjqseHpjj8b8ESXw725sL814CVjsLIdYcS16zPFy6h6V_l1clDWzBM9Y5CV2mYw/s400/guitar.jpg" alt="" id="BLOGGER_PHOTO_ID_5348571850558358162" border="0" /></a><br /><span id="ArticleViewer"><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p>The Gibson Custom Shop doesn’t just make guitars. It makes dreams — the kind that guitarists can plug in and play.</p> <p>And who hasn’t dreamed of playing the same axes that absolute masters like Jimmy Page, Jeff Beck and B.B. King wield on-stage?</p> <p>Thanks to the Custom Shop’s exacting devotion to detail and quality, that’s possible. The Custom Shop has offered signature artist models since the 1920s, beginning with the Nick Lucas Special. And in 2006 the VOS (Vintage Original Spec) series of guitars was launched. </p></span>Apriliohttp://www.blogger.com/profile/12046764217386489499noreply@blogger.com0